Welcome to Letters From Quotidia – a podcast by Quentin Bega for lovers of music, poetry, and the Crack- that most Irish of nouns which may encompass, news, gossip, fun, entertainment, and enjoyable conversation. Quotidia is that space, that place, where ordinary people lead ordinary lives. But where, from time to time, they encounter the extraordinary.
I have never killed a man, but I have read many obituaries with great pleasure- Fine words! I wonder where you stole them. Hold your horses, Jonathan Swift!If you’d given me the time, I would have admitted my debt to Clarence Darrow, a famous- some would say, infamous- American lawyer. Will you be content if I quote lines from what I consider a minor masterpiece of yours? I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled, and I make no doubt that it will equally serve in a fricassee, or a ragout.
Your stinging satire, A Modest Proposal, published anonymously in 1729, in which an unnamed proposer coolly advances his plan for simultaneously relieving Irish poverty and increasing the store of protein available for consumption by the moneyed classes, places your heart in Ireland with the urban and rural poor, even though the ambitions thronging your head wished for preferment among the upper echelons in England. Almost two hundred years later, we hear an impassioned speech in a courthouse in Tennessee, where Darrow is defending John T Scopes, a high school teacher who has run afoul of a law prohibiting the teaching of evolution in public schools,
If today you can take a thing like evolution and make it a crime to teach it in the public school, tomorrow you can make it a crime to teach it in the private schools…After a while, your honor, it is the setting of man against man and creed against creed until with flying banners and beating drums we are marching backward to the glorious ages of the sixteenth century when bigots lighted fagots to burn the men who dared to bring any intelligence and enlightenment and culture to the human mind. Both Darrow and Swift have their detractors: The Irish clergyman is often painted as a misanthrope because of the blackness of his vision, so apparent in his most famous work, Gulliver’s Travels and for his much-quoted words, principally I hate and detest that animal called man.
But then he goes on to say, although I heartily love John, Peter, Thomas, and so forth. A true misanthrope wouldn’t take the time or effort to produce polemics aimed at altering the behaviour of his fellow human beings for the better. Darrow has been maligned for his greed for money and publicity, his lack of legal qualifications and his blind belief in deterministic science as the only lens through which the world can be revealed. A militant atheist, he claimed, the purpose of life is living. Men and women should get the most they can out of their lives. The smallest, tiniest intellect may be quite as valuable to society as the largest. It may be still more valuable to itself: it may have all the capacity for enjoyment that the wisest has. The purpose of man is like the purpose of the pollywog (this is not a racist epithet but an American dialect term for a tadpole)— to wriggle along as far as he can without dying; or to hang on until death takes him.
Two very different people, Swift the frosty satirist and Darrow the fiery populist; but both, at their core, believed in the worth of the individual, however insignificant, after their own fashion. There are two poets, among many such possible pairings, that I would put forward as representatives of the dichotomy between the frost and the fire: Robert Frost and Henry Lawson. Some say the world will end in fire,/Some say in ice./From what I’ve tasted of desire/I hold with those who favour fire./But if it had to perish twice,/I think I know enough of hate/To say that for destruction ice/Is also great/And would suffice. Frost, the ironical, detached observer, in another poem, watches people on a beach looking out to sea, …wherever the truth may be-/The water comes ashore,/And the people look at the sea./They cannot look out far./They cannot look in deep./But when was that ever a bar/To any watch they keep?
Compare this to Henry Lawson in Macleay Street and Red Rock Lane, Macleay Street looks to Mosman,/Across the other side,/With brave asphalted pavements/And roadway clean and wide…Red Rock Lane looks to nowhere,/With pockets into hell;/Red Rock Lane is a horror/Of heat and dirt and smell…And-well, there seems no moral,/And nothing more to tell,/But because of that fierce sympathy/Of souls to souls in hell;/And because of that wild kindness/To souls in sordid pain,/My soul I’d rather venture/With some in Red Rock Lane.
And now, for something completely different: the song following was written in 1983 when I was afflicted by itchy feet and wanted to move on… At the time, I was working with a music student who challenged me to write something commercial, even if it be crass! OK! Have a listen and decide for yourselves how crass and commercial it is. If it’s truly crass and commercial- offer me a million dollars for the rights![ insert song]
Our next stop in our tour of Quotidia finds us passing through, Velleity, the province of wishing wells, where, in every town square there are examples of these constructions in the centre, in pride of photogenic place. If you wish to throw in a few coins, well, why not? You’re on vacation after all, and you can post your ironic-oh-so-clever beneficence to your insta account for all your envious followers. However, if you are claiming this holiday as a tax-deductible study excursion, then it might be wise to cite the saint, Francis de la Sales as well as poets, Andrew Marvell, T.S. Eliot and Langston Hughes. As well, you may wish to flourish the six-syllable adjective antepenultimate as a way of identifying the next letter. If, on the contrary, you are simply out for a good time, then kick back and relax as the tour bus wends its way through more of the idyllic sights of yet another province of the mysterious land we all know as Quotidia.
Credits: All written text, song lyrics and music (including background music) written and composed by Quentin Bega unless otherwise specified in the credits section after individual posts. Mark Dougherty has a co-writing credit for the song, The Frost or the Fire. Illustrative excerpts from other texts identified clearly within each podcast. I donate to and use Wikipedia frequently as one of the saner sources of information on the web.
Technical Stuff: Microphone- (for the podcast spoken content) Audio Technica AT 2020 front-facing with pop filter)
Microphone (for many of the songs) Shure SM58
For recording and mixing down 64-bit N-Track Studio 9 Extended used
Music accompaniment and composition software– Band-in-a-Box and RealBand 2020 as well as- for some 20 of the songs of year 2000 vintage- I used a Blue Mountains, NSW, studio. Approximately 48 Banter folk songs and instrumentals recorded live (“in the round”) with a ThinkPad laptop using the inbuilt mic.