A bit of Banter: 40 – Two Irish Tunes

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 40: Two Irish Tunes– I have lost the first and I think the second is called, The Kettle Boils Over, but I’m not going to bet the house on it. Irish tunes and, to a lesser extent, songs, have variant titles. So, I’m not too distressed at this loss of information– which isirishmusos often over-rated in any case, and often useless -or, indeed, misleading in a few instances.

 

x/Kettle Boils Over

A bit of Banter: 39- The Triumphant and Centenary Marches

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 39: The Triumphant and Centenary Marches– Much played at Irish ceilis in past decades. These occasions were social gatherings in rural areas, especially, of Ireland and Scotland featuring folk dances of various kinds, accompanied by tea and biscuits. These gatherings were displaced by dances featuring showbands and fizzy soft drinks which were in turn displaced by discos and recreational drugs which were in turn displaced by dating sites and ceilisexting on digital media. But enough of this potted and probably wildly inaccurate social history! Anyhow, in a world of alternative facts and such-like, we enjoy playing the music of the traditional ceili even though its cultural milieu is, alas, long gone- except in a few recusant venues- God bless ’em…

 

The Triumphant/Centenary Marches

A bit of Banter: 38- McClory

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 38: McClory– Another immigrant song. Written by Pete St John about three interwoven strands of recent Irish history: the need to leave Ireland to find work, sectarianism and how friendship can overcome religious differences. One of our favourite songs, first heard from the singing of Jimmy Moore with Claddagh here in Sydney in the mcclory1990s. Unlike McClory and the persona of the song, we haven’t returned to Ireland, apart from visits, and as we get older, the song seems to improve- like a good wine.

 

McClory

A bit of Banter: 37- Three Score and Ten

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 37: Three Score and Ten– The events depicted in the song date to 1889 when fifteen fishing vessels and seventy or more men and boys were lost in storms off the Yorkshire coast. No one knows, definitively, who wrote the original song, but I agree with the sentiments I read somewhere that the song belongs to the people of the fishing ports and the families who suffered losses to the North Sea gales that have taken so many. Three3scoreandten score and ten, of course, is a trope for the length of human life. The magnificent King James Version expresses in Psalm 90, The days of our years are threescore years and ten;/ and if by reason of strength they be fourscore years,/ yet is their strength labour and sorrow;/ for it is soon cut off, and we fly away.

 

Three Score and Ten

A bit of Banter: 36- A Nation Once Again

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 36: A Nation Once Again– Thomas Davis, one of the main shapers of Irish identity, wrote this stirring ballad in the 1840s, making it one of the early Irish folk songs. He believed that songs were more effective than political harangues. It is notable for its classical references: for example, the 300 men  of the song’s first verse recalls the valiant Spartans at the battle of Thermopylae in 480 BC who, while losing their lives in defence ofthomas_davis_young_irelander ancient Greece, laid the foundations of the classical period and all its glories- of which we are the fortunate beneficiaries. While some of the references may be alien to listeners in the 21st Century, the meaning (and emotion) of the song contained in the choruses is unmistakable.

 

A Nation Once Again

A bit of Banter: 35- The Irish Rover

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 35: The Irish Rover– A widely-known folk song: The Dubliners and Pogues produced a memorable version in 1987. I first heard it from an LP of the Clancy Brothers and Tommy Makem in the early 1960s. The cultural impact is widespread: a character from the song, Slugger O’Toole, (who was drunk, as a rule) is used by a political website in Northern Ireland that provides a lively platform for diverse views on matters local and international. A successful group used the song , pluralised, to give themselves a musical identity. Covers220px-the_irish_rover of the song stretch across more than fifty years and, I would imagine, will continue into the future. As part of that musical stream, we offer this version from one of our sessions here in Sydney.

 

The Irish Rover

A bit of Banter: 34- Begleys

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 34: Begleys Went into the radio station today to co-host our regular fortnightly show, A Touch of Ireland. Drove there because of a phone call the night before from my partner in radio-crime that he was entertaining seven Irish backpackers from Bondi and that it may be advisable, nay, prudent, to vary our wonted routine and for me to pick him up. We always start with an instrumental- and to my surprise he started with this- a tunebegleys2 we had recorded around the table a few years back. And, indeed, it was one we resurrected just last week as part of our reconstituted sessions.

 

Begleys

A Bit of Banter: 33- Figuring out tunes…

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 33- Figuring out tunes…Just for aficianados of process- this track shows the group re-discovering tunes we used to play in the past and listeners can get the flavour of the rather chaotic methodology used to get stuff in some sort of order. The wonder is- how does anything whole ever get recorded? figuring-out-tunesHowever,  we generally reach a consensus as to what constitutes a Banter tune or song and this is the hallmark of a true group. I read about groups where a “leader” tells the others what to do, etc. but that isn’t a true group, it’s something ( not-really-Irish) else.

Figuring Out Tunes

A bit of Banter: 32- Whiskey in the Jar

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 32: Whiskey in the Jar– Rock groups seem to like this one (Thin Lizzy, Metallica, et al). There’s something about the shape of the melody that appeals widely. This would be another song that is/was much requested when we play/played. The idea of the overlooked or inconsequential person sticking it to the Establishment has been a trope since Adam was a lad, I’ll wager. It appeals to Banter and, to be topical for a moment, it appealed towhiskey2 many millions of Americans when they voted for the outsider in the election a couple of days ago. Who will get stuck with the more dire consequences, if any, following this result, one muses?

Whiskey in the Jar

A bit of Banter: 31- Sonny

a-muso-imageThere’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next series of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions. 

Song 31: Sonny– Another disputed song- I have come across several versions of the song and how it came to be written. (Ron Hynes, Newfoundland folksinger, is, of course, thehi-ron-hynes-852 originator.) The good thing about being in a knockabout Irish folk band is that you can leave the wrangling to others. If you don’t care about commercial gain and prefer to gather at whim and sing and play just what you want, then the rest is just noise. All you have to do is try to create a version of the song that appeals- if only to yourselves.

 

Sonny