Script for audio journal Volume 10 I Rest My Case

SQ 110 Now We’re 64

Entry 110: Now We’re 64– It’s strange how the gravitational pull of the stellar personalitiesa-beatles-image in our youth, no matter how fast and far we thought we had travelled in the years since, draw us into an orbit of obeisance, or, at least, sincere acknowledgement of influence.  As I lurched through the barrier of sixty, I began to think of eschatological matters with a little more attention: I mean, even with the most optimistic and deluded of outlooks, one would have to agree that the past was more packed with incident and longevity than the years ahead.

So I wrote a song which touched upon matters encompassing the fifty years I have known my wife.  As my inspiration, I took a song from the Beatles’ St. Pepper’s album, Paul McCartney’s, When I’m 64. Although the theme is “ageing”, Wikipedia informs me, it was one of the first songs McCartney wrote, when he was 16. It was on the Beatles playlist in their early a-beatles2-imagedays as a song to perform when their amplifiers broke down or the electricity went off. Lennon said, in his 1980 interview for Playboy, “I would never even dream of writing a song like that.”

But, I did, at age 63. And I’m not Robinson Crusoe, in this regard either. Lots of other people, riffing off the McCartney song, have registered in song or verse or prose, reflections on reaching age 64. And almost fifty years before the Beatles set the song in vinyl, T.S. Eliot, in one of his finest poems, explored age in a poem, the title of which, means old manGerontion.a-gerontian-image

…Vacant shuttles/ Weave the wind.  I have no ghosts,/ An old man in a draughty house/ Under a windy knob.// After such knowledge, what forgiveness? Think now/History has many cunning passages, contrived corridors/ And issues, deceives with whispering ambitions,/ Guides us by vanities./ I was neither at the hot gates/ Nor fought in the warm rain/ Nor knee deep in the salt marsh, heaving a cutlass… I have lost my sight, smell, hearing, taste and touch:… These with a thousand small deliberations… multiply variety in a wilderness of mirrors…

McCartney was only 16 when he wrote his song; Eliot was twice his age- 32- when he wrote his poem. But neither, by any stretch, could be considered old. Are our senior poets, then, so immured in their senescence, that we can learn nothing from them?

a-cad-imageNot so! Carol Ann Duffy, that redoubtable poet (and laureate) wrote, introducing a selection of poems from senior British poets in The Guardian back in 2010, I invited the poets here to write, in any way they chose, about ageing. Our society, I believe, is turning gradually away from its obsession with “yoof” and “slebs”. We are beginning to realise that we face, at the very least, an uncertain future, one in which wisdom and experience – and respect – will need to be accorded a more important role. Nice thought, Carol Ann, if only it were true.

All the old gods have become enfeebled,/mere playthings for poets. Few, doze or daft,/frolic on Parnassian clover, wrote Dannie Abse, a notable poet, who died at age 91, in 2014. For Ruth Fainlight, aged 85, and close friend of Sylvia Plath in the years before that poet’s suicide,a-fainlight-image ageing, means no more roller-skating./That used to be my favourite/ sport, after school, every day:… When I saw that young girl on her blades,/wind in her hair, sun on her face,… racing/her boyfriend along the pavement:/– then I understood ageing.

Interesting, and amusing, is Roger McGough’s re-working of his famous 1967 poem, Let Me Die A Youngman’s Death, where he spurns the decorous, fading-away-like-the-smoke-of-a-blown-candle sort of death for one that is full of incident, violence, lasciviousness and noise- a-mcgough-imagealthough not before the age of 73 at the earliest! Now, at age 78, he admits, My nights are rarely unruly. My days/of allnight parties are over, well and truly./No mistresses no red sports cars/no shady deals no gangland bars/no drugs no fags no rock’n’roll/Time alone has taken its toll.

I guess, that for Roger and me and so many others in- what do you call them- our golden years, a dose of Lily the Pink’s medicinal compound would be just what the doctor ordered! I’ll finish by reference to a poem by erudite British-baseda-porter-image Australian poet, Peter Porter who died in 2010, aged 81, shortly after submitting, Random Ageist Verses, for inclusion in the Guardian article.

In this short poem of ten quatrains rhyming abab, he ranges wittily across age-related themes, citing Churchill, Auden, Hardy and Hyden, with insights such as, Immersed in time, we question time/And ask for commentators’ rights/The amoeba has a taste for slime/ Among its range of appetites concluding with these lines that surely only the wisdom of age can craft,

The greyness of the sky is streaked/Along its width with shades of red;/The pity of the world has leaked/ But who are these whose hands have bled?

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