There’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next batch of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. And everything that is not that bloody virus is a plus. At the moment we can’t meet as a group, as we are in lockdown, so I have set out a version of songs that are in our repertoire but which have not yet been recorded. With any luck (and, as three of us are north of 70, we’ll need it!) we will be able to resume our normal practice of meeting weekly and playing tunes, singing songs and generally enjoying the crack.

The Jolly Beggarman is believed to be King James V of Scotland, father of Mary, Queen of Scots. He was in the habit of wandering the countryside dressed as a beggar. There are lots of stories about various royals and members of the nobility roaming the roads, streets and lanes of their domain for a bit of excitement.

King James V actually wrote a poem in the 16th Century called The Jolly Beggar on which the verse of the song here is based. The chorus is inspired by the 19th Century Romantic poet, Lord Byron who was mad, bad and dangerous to know! He was one of my favourite poets when I was a teenager- and I still rate him highly today. Here is his exquisite and regretful lyric, We’ll Go No More a-Roving.

SO, we’ll go no more a-roving/So late into the night,/Though the heart be still as loving, And the moon be still as bright/.For the sword outwears its sheath,/And the soul wears out the breast,/And the heart must pause to breathe,/And love itself have rest./Though the night was made for loving,/And the day returns too soon,/Yet we’ll go no more a-roving/By the light of the moon. 

Jim, along with Sam the Man, are the main singers in Banter. I am content to be the Bronze Medallist, insofar as singing is concerned, within our group. But, here in lockdown, there is no competition! So, I have taken one of the songs that Jim habitually sings and unashamedly present it here.

There is an interesting contrast between the lusty verses inspired by King James V and the regretful chorus inspired by Lord Byron. I have sought to underpin this by having the vigorous instrumentation of the verse being undercut by the romantic strings in the chorus- see what you think.

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