There’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next batch of posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. And everything that is not that bloody virus is a plus. At the moment we can’t meet as a group, as we are in lockdown, so I have set out a version of songs that are in our repertoire but which have not yet been recorded. With any luck (and, as three of us are north of 70, we’ll need it!) we will be able to resume our normal practice of meeting weekly and playing tunes, singing songs and generally enjoying the crack.
Historically, the song has been referred to in Irish folklore and, since the late sixteenth century, it has been noted in written records—although it is likely that some northern Atlantic fishing crews knew the song before these historical accounts were made. The song is a staple for artists performing live music in Irish pubs. It is often considered to be a drinking song rather than a temperance song. For many people, the Wild Rover is the stereotypical Irish drinking song
“The Wild Rover” is the most widely performed Irish song, although its exact origins are unknown. The song tells the story of a young man who has been away from his hometown for many years. Returning to his former alehouse the landlady refuses him credit, until he presents the gold which he has gained while he has been away. He sings of how his days of roving are over and he intends to return to his home and settle down.
According to Professor T. M. Devine in his book The Scottish Nation 1700 – 2000 (Penguin, 2001) the song was written as a temperance song. The song is found printed in a book, The American Songster, printed in the USA by W.A. Leary in 1845, and spread from Scotland to America from the Temperance movement. There is another USA printed version in the “Forget-Me-Not Songster” (c 1850), published by Locke. An alternative history of the song is suggested by the fact that a collection of ballads, dated between 1813 and 1838, is held in the Bodleian Library
Raymond Daly and Derek Warfield of The Wolfe Tones describe how the fans of Celtic Football Club in Scotland sing The Wild Rover at away matches. The chorus is well known throughout most English-speaking cultures, even among people who have no knowledge of the rest of the song. (Thanks to Wikipedia for the notes above. Do donate to a great site, if you can afford to.)
I first came across this song off the Dubliners 1964 LP and the song was a staple of the dance-halls in rural and metro Northern Ireland. The showbands of the time were nothing if not versatile: able to keep the punters entertained with songs from the Top of the Pops as well as Country staples from the USA. Add to the mix, Irish folk songs and Ceili dance-tunes and you get the idea of what a night out was like in the mid-1960s in Ireland. It was a great time that has, alas faded into the past.
Sam the Man helms the song in our wee group, Banter, but because the virus has us in lockdown, and, anyway, there are no venues open for live music yet, I get to sing it!