There’s no fool like an old fool, they say, so what happens when a bunch of oul’ coots gather together to make music? The next 20 posts may enlighten you as to the question just posed and may also, perhaps, enrage or entertain. Anything’s better than a yawn, I guess. These songs were the result of a few sessions around a table laden with alcoholic beverages of various kinds. Plonked in the centre of the table was a laptop with built-in mic that somehow survived the knocks and spillages that were part and parcel of the sessions.
Song 11: Joe Hill– This great union song has been a part of my musical experience for many
decades now and I am still moved by its defiant and uplifting message. Before his execution by firing squad in Utah, Joe Hill mordantly declared, in a note to IWW leader Bill Haywood, “Could you arrange to have my body hauled to the state line to be buried? I don’t want to be found dead in Utah.” His will is also worth recording, My will is easy to decide/For there is nothing to divide/My kin don’t need to fuss and moan/”Moss does not cling to rolling stone”/My body? Oh, if I could choose/I would to ashes it reduce/And let the merry breezes blow/My dust to where some flowers grow/Perhaps some fading flower then/Would come to life and bloom again./This is my Last and final Will./Good Luck to All of you/Joe Hill. I think Banter do a good job of the song here.

song. Written by Ian Campbell, a Scottish-born folksinger and left-wing activist, it was popular among the anti-nuclear Aldermaston protesters in the 1960s. Campbell was an influential force in music in his native Britain from the early sixties right up to his death in 2012. In Banter, I took it up and twinned it with the instrumental you hear at its end.
compelling pull on the listener when sung by a good singer. I would assert that this is the case here.
hear him sing in the Wollongong Town Hall in the mid-1970s with his wife, Peggy Seeger. He wrote lots of fine songs about workers and the alienated. Perhaps the greatest exponent of this song was Luke Kelly of the Dubliners.

captains at one time or another in their lives. This graceful Irish set dance reminds me of this part of my heritage.
version that saw it contained within a secured site. This song celebrates a time about twenty years ago when we were rather younger and wilder. The instrumental at the end I initially thought was entitled The Goose in the Bog– I wonder what rhymed line I would have come up with if I had known the accurate title when writing the song…
sporadic appearances in public out here on the fringes of Western Sydney.
days in Far Northern Queensland.
